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2026-5575 - Episodic Director, CG

Thu, 13 Aug 2026 16:21:20 Z

Job details :
We're looking for an Episodic Director  to join us on (INSERT SHOW NAME)! Reporting to the Producer, in this position you are responsible for carrying the Series Director’s creative vision throughout animation. You will also collaborate with the Series Director in storyboards, lighting, and FX meetings and reviews as needed. You will supervise and collaborate with the Animation Lead to ensure storytelling and performance are maximized through out these phases of the production. Start Date: XXX* End Date: XXX* Job Location: Vancouver/BC - Hybrid/Flexible // Remote // In-Studio [DELETE] *subject to change Pay Rate: Union minimum 2025 $2,292.00 Union minimum 2026 $2,372.22 Union minimum 2027 $2,455.25 per week based on a 40-hour work week. //DELETE// Union minimum 2025 $1,925.00 Union minimum 2026 $1,992.38 Union minimum 2027 $2,062.11 per week based on a 40-hour work week. Learn more about our benefits here and IATSE Local 938 site.  While we prioritize applications from people whose contracts are ending soon, we will also consider those on longer contracts that may overlap. If the team is interested in moving forward, our Artist Manager can speak with your current Producer about the potential transfer. Stages of your internal application: We’d love to hear from you! Use the Cover Letter section to include recent external reel, portfolio or website links (and passwords), or any other details that you think may be helpful for us to know. Share your work with us! Make sure your internal reel or portfolio is up to date when you apply so we can check out your latest and greatest work. You’ll hear from us! A member of the Talent team might reach out to discuss the upcoming role in more detail and/or to schedule a meet & greet with the team.  Need a Flow refresher? Click here to learn how to create your internal demo reel.  Please reach out to [Artist Manager] if you have any questions!   Please submit your application by [Close Date] in order to guarantee you'll be considered.

What You'll Do: Create a Shooting Guide for each episode based on the creative hand off from the Series Director Follow approved direction throughout episode, and discuss any changes needed with Series Director Provide feedback and direction to Animation Leads and animators ensuring character performance is being hit Run shot hand offs with Animators Assign Animation tasks and enter in Shotgun any notes/direction needed for Artists to start their work Review all Animation submissions from artists, providing feedback when needed Work collaboratively with Editor ensuring the edit is working throughout the episode Document and communicate any and all audio pickups which may be required Review Series Director and Client notes on Animation Animatics and propose solutions to ensure their direction is reflected on any material being sent out Raise any creative or production issues as they arise to Series Director and/or Production team Attend Lighting and FX Hand Off to Supervisors, making sure the direction is clear for both departments What You’ll Bring: Minimum 2+ years experience in a directorial position Excellent understanding of animation timing and posing Familiarity with CG animation and the strengths and weaknesses of CGI animation Knowledge of storytelling principles and techniques Strong sense of story and structure Excellent planning and management skills Ability to communicate processes, plans and concepts effectively Ability to create entertaining and persuasive messages Ability to work in teams/small groups Ability to identify and manage different needs of individuals, groups, etc. Ability to present specific viewpoints and influence others This is a Union position and the terms and conditions of employment are covered by a collective agreement. 

2026-5549 - Studio Operations Manager

Tue, 11 Aug 2026 23:25:25 Z

Job details :
We're looking for a Studio Operations Manager. The Studio Operations Manager provides administrative, operational, and project coordination support to the SVP, Global Head of Production. This role combines some traditional executive assistant responsibilities with production coordination, stakeholder communication, and operational support to help ensure priorities, projects, and day-to-day activities remain organized and on track. Start Date: August 2026* End Date: tbc* Job Location: Vancouver - Hybrid/In-Studio *subject to change While we prioritize applications from people whose contracts are ending soon, we will also consider those on longer contracts that may overlap. If the team is interested in moving forward, our Artist Manager can speak with your current Producer about the potential transfer. Stages of your internal application: We’d love to hear from you! Use the Cover Letter section to include recent external reel, portfolio or website links (and passwords), or any other details that you think may be helpful for us to know. Share your work with us! Make sure your internal reel or portfolio is up to date when you apply so we can check out your latest and greatest work. You’ll hear from us! A member of the Talent team might reach out to discuss the upcoming role in more detail and/or to schedule a meet & greet with the team. Please reach out to Cory Liang if you have any questions! Please submit your application by August 12 in order to guarantee you'll be considered. If you need any additional time, please reach out to us directly.

What You’ll Do: Executive Support Manage a complex and dynamic executive calendar, balancing internal meetings, production reviews, client commitments, industry events, and international stakeholders. Coordinate domestic and international travel, including flights, accommodations, transportation, itineraries, and supporting materials. Prepare agendas, presentations, briefing notes, and supporting documentation for meetings and events. Attend key meetings, capture detailed notes, summarize discussions, and track action items through completion. Monitor outstanding priorities and deliverables, helping ensure commitments remain visible and follow-up occurs in a timely manner. Process and reconcile expense reports, invoices, and other administrative documentation. Screen and prioritize incoming requests and correspondence. Maintain confidentiality and exercise sound judgment when handling sensitive information. Production Operations & Project Coordination Support the coordination and tracking of key production, studio, and departmental initiatives. Own and manage the Studios reporting and commitments to ESG initiatives for Production. Coordinate communication and follow-up across production, creative, finance, technology, and executive stakeholders. Help organize production reviews, leadership meetings, planning sessions, offsites, and special projects. Establish and maintain systems that improve organization, visibility, and efficiency across projects. Support the preparation of reports, presentations, and departmental updates as required. Client & Partner Experience Coordinate all logistics related to client visits, executive meetings, studio tours, and partner engagements. Develop and manage detailed run-of-day schedules for visiting clients and guests. Arrange meeting spaces, catering, transportation, restaurant reservations, and other hospitality requirements. Serve as a primary point of contact for visit logistics before and during client engagements, providing a welcoming, professional experience. What You’ll Bring: 5+ years of experience supporting senior leaders in an Executive Assistant, Production Coordinator, Production Manager, Project Manager, or similar role. Experience in animation, television, film, gaming, VFX, or other entertainment production environments is strongly preferred. Exceptional organizational, time management, and multitasking skills. Strong project coordination and follow-through capabilities. Proven ability to manage multiple priorities in a fast-paced environment. Excellent written and verbal communication skills. Strong attention to detail and commitment to accuracy. Demonstrated ability to anticipate needs, solve problems proactively, and work independently. High level of professionalism, discretion, and judgment. Advanced proficiency in Microsoft Office, Outlook, Teams, PowerPoint, Excel, and collaboration tools.

2026-5488 - Rigging Supervisor, CG (Feature)

Mon, 10 Aug 2026 23:17:34 Z

Job details :
We're looking for a Rigging Supervisor, CG (Feature) to join us on the new Feature! Reporting to the Producer and Rigging HOD, the Rigging Supervisor oversees the rigging team to deliver high-quality, production-ready rigs that meet creative and performance requirements, while collaborating across departments and staying current with evolving rigging technologies. Start Date: Fall 2027* End Date: 2028* Job Location: Vancouver - Hybrid/Flexible *subject to change Pay Rate: Union minimum 2026 - $2345 per week based on a 40-hour work week. Learn more about our benefits here and IATSE Local 938 site. While we prioritize applications from people whose contracts are ending soon, we will also consider those on longer contracts that may overlap. If the team is interested in moving forward, our Artist Manager can speak with your current Producer about the potential transfer. Stages of your internal application: We’d love to hear from you! Use the Cover Letter section to include recent external reel, portfolio or website links (and passwords), or any other details that you think may be helpful for us to know. Share your work with us! Make sure your internal reel or portfolio is up to date when you apply so we can check out your latest and greatest work. You’ll hear from us! A member of the Talent team might reach out to discuss the upcoming role in more detail and/or to schedule a meet & greet with the team. Need a Flow refresher? Click here to learn how to create your internal demo reel. Please reach out to Cory Liang if you have any questions! Please submit your application by July 24 in order to guarantee you'll be considered. If you need any additional time, please reach out to us directly.

What You’ll Do: Oversee the rigging team’s day-to-day work, providing creative and technical direction through regular reviews, feedback, and deliverable approvals Serve as the primary liaison between production, the Rigging HOD, and the rigging team to communicate priorities, risks, schedules, and milestone updates Review scripts, animatics, and model topology to identify rigging needs, production requirements, and performance considerations Rig, troubleshoot, maintain, and improve CG assets to ensure stable, production-ready rigs that meet animation performance requirements Research, recommend, and develop rigging techniques, modules, and workflows that improve production efficiency and expand in-house tool capabilities Collaborate with animation, modeling, shading, and production teams to support performance and delivery requirements Partner with production to assign tasks and provide bid times for required rigs based on script, animatic, and production breakdowns Train artists on rigging workflows, tools, and techniques Represent the rigging team professionally and constructively in all project interactions Participate in processes such as hiring, casting, evaluating and coaching What You’ll Bring: 2+ years of experience as within Rigging Leadership on a feature production Experience building high-quality, feature-level facial rigs and deformation systems Advanced proficiency in Maya, including a strong understanding of parallel evaluation and rig performance Advanced knowledge of Python and object-oriented programming Strong understanding of anatomy and articulation Strong understanding of animation workflows and production needs Demonstrated technical expertise in character rigging for animation Strong analytical and creative problem-solving skills Openness to feedback, direction, and evolving production needs Clear communication skills, with the ability to explain technical concepts across disciplines Ability to collaborate effectively with multiple departments Nice To Have: Experience working with crowd rigs Knowledge of PySide/Qt Experience developing and debugging C++ plug-ins for Maya Experience working with pipeline APIs Knowledge of nHair or other simulation systems. This is a Union position and the terms and conditions of employment are covered by a collective agreement.

2026-5561 - Assistant Editor, 2D

Wed, 05 Aug 2026 22:24:37 Z

Job details :
We're looking for an  Assistant Editor to join us on BEAGLE! Reporting to the Producer, in this position you will have the opportunity to assemble storyboard panels and audio elements needed to tell the story of the show, all the while keeping things organized and tidy. We are looking for someone with a good sense of humor / timing who can support our Animatic editor(s) in their daily workloads. Start Date: August 24, 2026 End Date: January 29, 2027* Job Location: Vancouver - Hybrid/Flexible *subject to change Pay Rate: Union minimum 2026 $1,249.25 per week based on a 40-hour work week. Learn more about our benefits here and IATSE Local 938 site. While we prioritize applications from people whose contracts are ending soon, we will also consider those on longer contracts that may overlap. If the team is interested in moving forward, our Artist Manager can speak with your current Producer about the potential transfer. Stages of your internal application: We’d love to hear from you! Use the Cover Letter section to include recent external reel, portfolio or website links (and passwords), or any other details that you think may be helpful for us to know. Share your work with us! Make sure your internal reel or portfolio is up to date when you apply so we can check out your latest and greatest work. You’ll hear from us! A member of the Talent team might reach out to discuss the upcoming role in more detail and/or to schedule a meet & greet with the team. Need a Flow refresher? Click here to learn how to create your internal demo reel. Please reach out to Cory Liang if you have any questions! Please submit your application by August 14, 2026 in order to guarantee you'll be considered. If you need any additional time, please reach out to us directly.

What You'll Do: Assemble the first pass of the episode using storyboard panels, circled audio takes, and the script for reference Cut revision panels into the timelines Assist the Animatic Editor with day-to-day production needs when necessary Create outputs of shows (animatics) for both clients and internal needs Maintain the series walla library Maintain the episode re-use shot lists Manage editorial project/bins/media files efficiently Actively participate in production-related meetings by offering thoughts and ideas Carry out duties in a professional and positive manner Be a positive and creative force on the team What You’ll Bring: 1-3 years minimum professional experience in an editorial role Strong understanding of Avid Media Composer editing software is a must Ability to take direction, collaborate, and be a team player Ability to communicate in a professional and positive manner Ability to multitask, prioritize and manage time efficiently Ability to work alone and collaboratively, often with multiple tasks and under deadline pressure Ability to adapt to multiple show styles Openness to direction and ability to embrace change Degree or Diploma from a recognized film production school Creative and proactive problem solving skills This is a Union position and the terms and conditions of employment are covered by a collective agreement.

2026-5486 - FX Supervisor, CG (Feature)

Tue, 28 Jul 2026 22:00:42 Z

Job details :
We're looking for an FX Supervisor, CG (Feature) on our new feature. Reporting to the Producer, the FX Supervisor is responsible for defining, guiding, and delivering all effects work on the project. They act as both a creative and technical leader, ensuring that the FX department’s work aligns with the Director’s vision while remaining achievable within production constraints. The ideal candidate is an experienced artist and proven leader. They possess a strong creative eye, with the ability to lead and support their team. Start Date: *Fall 2026 End Date: *2028 Job Location: Vancouver - Hybrid/Flexible *subject to change Pay Rate: Union minimum 2026 - $2497 per week based on a 40-hour work week. Learn more about our benefits here and IATSE Local 938 site. While we prioritize applications from people whose contracts are ending soon, we will also consider those on longer contracts that may overlap. If the team is interested in moving forward, our Artist Manager can speak with your current Producer about the potential transfer. Stages of your internal application: We’d love to hear from you! Use the Cover Letter section to include recent external reel, portfolio or website links (and passwords), or any other details that you think may be helpful for us to know. Share your work with us! Make sure your internal reel or portfolio is up to date when you apply so we can check out your latest and greatest work. You’ll hear from us! A member of the Talent team might reach out to discuss the upcoming role in more detail and/or to schedule a meet & greet with the team. Need a Flow refresher? Click here to learn how to create your internal demo reel. Please reach out to Rachel Scafe if you have any questions! Please submit your application by July 24 in order to guarantee you'll be considered. If you need any additional time, please reach out to us directly.

What You’ll Do: Work closely with the Head of Effects Animation, Director, and Art Director to define and achieve the project’s visual direction. Work closely with CG Supervisors and Show TDs to identify and solve technical issues that arise Work with other department supervisors to ensure consistent final pixel quality. Identify and communicate FX requirements, ensuring they are effectively implemented throughout production. Review and provide feedback on FX work through regular dailies and weekly reviews. Mentor and guide the FX team Collaborate with Pipeline to improve FX process and workflow Provide bid times for all FX tasks Ensure complete and seamless integration of all FX assets within the pipeline Create and maintain FX documentation and training Ensure that all production deadlines are met while meeting quality standards Participate in processes such as hiring, casting, evaluating and coaching What You’ll Bring: 2+ years of FX leadership experience in a similar role, working in feature production Advanced proficiency Houdini & Nuke Demonstrated experience creating a wide range of effects, from natural phenomena to highly stylized and fantastical elements Expert level understanding of modelling, texturing, shading, lighting, compositing and rendering workflows Experience prototyping FX pipeline tools and working closely with software developers to design and implement solutions Expert leadership experience in managing, mentoring, and elevating teams through systems and continuous development strategies Demonstrates expert problem-solving and communication skills, and adaptability to strategize and communicate changing priorities Nice To Have: Bachelor’s degree in Fine Arts, Computer Animation, or other relevant area of study and/or equivalent job experience Experience with Deadline or equivalent render manager is a plus Proficiency in Flow Production Tracking is a plus Python scripting is a plus Experience with Gaffer or other node-based lighting tools is a plus Experience developing FX look materials across meshes, particles, and volumes Experience with RV would be helpful. This is a Union position and the terms and conditions of employment are covered by a collective agreement.

2025-4565 - Pipeline Software Developer (Houdini/Katana)

Mon, 13 Jul 2026 16:57:29 Z

Job details :

What You'll Do: Tool Development: Work closely with key stakeholders to design and develop tools, workflows, and processes to meet production and strategic technology needs. Deployment: Test and release high quality code to production using git and our build systems. Support: Triage production issues; identify, reproduce and resolve bugs / workflow errors. Collaborate with stakeholders and Artists to iterate and improve tools and processes. Document: Create, and update documentation and provide training for stakeholders on new tools and processes. Collaborate: Actively engage with stakeholders and peers to improve existing systems and meet the global direction. What You'll Bring: BS+ in Computer Science or equivalent industry experience Experience with Houdini and/or Gaffer and/or Katana Familiarity with FX, Grooms, or CFX workflows and tools Experience developing and delivering software in a professional environment Experience with Python, C++, or other object-oriented programming language Experience with Git or other revision control system Experience with databases Experience with Windows and Linux Nice to Have: Experience developing for Animation or other creative industries, and their DCC applications & APIs Knowledge of networking and performance optimization Pay Range: $75,000 - $125,000 CAD per year Candidates are paid within the range posted, but their exact pay will vary based on the level, responsibilities and expectations of the role. We also take into consideration the experience and skills that individual brings, with consideration of our internal equity.

2026-5363 - Art Director, CG

Fri, 29 May 2026 04:31:08 Z

Job details :
We're looking for an Art Director to join us on a NIN1! Reporting to the Producer, in this position you will play a key role in controlling the overall visual direction. Working closely with clients, you will create cutting-edge, appealing and fresh new looks for each show by infusing them with the latest trends in design. This is an exciting opportunity for an Art Director to be the driving force on some of the top brands in children’s entertainment. Start Date: ASAP Start* End Date: Spring/ Summer 2027* Job Location: Vancouver - Hybrid/Flexible *subject to change Pay Rate: Union minimum $1,990.00 per week based on a 40-hour work week. Learn more about our benefits here and IATSE Local 938 site.  While we prioritize applications from people whose contracts are ending soon, we will also consider those on longer contracts that may overlap. If the team is interested in moving forward, our Artist Manager can speak with your current Producer about the potential transfer. Stages of your internal application: We’d love to hear from you! Use the Cover Letter section to include recent external reel, portfolio or website links (and passwords), or any other details that you think may be helpful for us to know. Share your work with us! Make sure your internal reel or portfolio is up to date when you apply so we can check out your latest and greatest work. You’ll hear from us! A member of the Talent team might reach out to discuss the upcoming role in more detail and/or to schedule a meet & greet with the team.  Need a Flow refresher? Click here to learn how to create your internal demo reel.  Please reach out to Chloe Sibthorp if you have any questions!   Please submit your application by May 13, 2026 in order to guarantee you'll be considered. If you need any additional time, please reach out to us directly.

What You’ll Do: Establish and refine show style Develop and oversee show-specific style guides and communicate them to the design team Ensure viability while maximizing artistic objectives Collaborate with clients on designs that need special direction Directly contribute to project design Collaborate with VFX and modelling departments to ensure render style matches show art direction Attend breakdown meetings and provide input from the art department’s point of view Provide quality assurance of all creative deliverables Provide detailed direction to design team Proactively ensure that concepts, designs and desired outputs are obtained within the project timeline and budget Identify actions necessary to achieve task completion and to obtain results while meeting schedules, deadlines and performance goals Adapt traditional methods, concepts, models, designs, technologies or systems to new applications and devise new approaches to improve current processes and work flow Foster and enable communication and collaboration across departments Work with production team to identify appropriate staffing levels and needs Determine and understand the needs, interests, strengths and weaknesses of the design team and use this information to contribute to the growth and development of the design team What You’ll Bring: 3+ years of art direction experience in animation or television OR equivalent experience Understanding of the translation from 2D artwork to 3D models Strong 3D design experience for animation Excellent communication, interpersonal, and multi-tasking skills Experience in supervising and training, as well as leadership qualities Ability to identify strengths and weakness of design team Ability to remain flexible and adaptable to meet the changing needs of production Nice to Have: BA/BFA degree in fine arts or commercial arts field an asset This is a Union position and the terms and conditions of employment are covered by a collective agreement.

2026-5564 - Senior Previs/Layout Artist

Fri, 07 Aug 2026 18:04:50 Z

Job details :
We're looking for a Senior  to join us on (INSERT SHOW NAME)! Reporting to the Producer, in this position you will have exceptional character animation skills and considerable experience in CG animation for broadcast television or feature film productions. You excel at creating high-calibre, dramatic and action-oriented character animation, while at the same time meeting production deadlines.

What You’ll Do: CG visualization of storyboard animatic  Establish camera blocking, composition and lens choice  Character key posing and animation Work with the Previs/Layout Supervisor to provide coverage options to Director  Work with the Previs/Layout Supervisor to ensure work adheres to the vision set out by the directors  Proactively identify possible creative / technical problems with shots  Ensure the Previs/Layout team is productive by answering questions that arise  Train, mentor, and motivate new Previs/Layout Artists who are placed on the crew  Assist Previs/Layout team in execution of camera lensing and staging, composition and blocking of scenes from storyboard animatics  Complete assigned sequences within scheduled timeframe  Ensure shot continuity  Anticipate, communicate, and troubleshoot any creative or technical issues with assistance from lead Layout artist  Assist /guide Previs/Layout Artists in the organization of their assignments  Keep current on Layout techniques and technology  Create and rig proxy models as needed  What You’ll Bring: 3+ years of experience in animation or film industry  Solid knowledge of Maya is essential  Ability to interpret storyboards and realizes them in a CG environment  Firm understanding of cameras, staging, composition, perspective, pacing, timing and cinematography concepts in animation context  Solid understanding of cinematic language and camera terminology  A strong understanding of character key posing and a developed foundation of animation principles. Ability to communicate creative and technical thoughts and ideas  Ability to multitask, prioritize and manage time efficiently  Ability to work alone and collaboratively, often with multiple tasks and under deadline pressure  Encouraging attitude towards feedback and new initiatives  Degree/diploma in fine arts or animation or equivalent experience an asset  Basic modeling and rigging is an asset This is a Union position and the terms and conditions of employment are covered by a collective agreement.