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2026-5486 - FX Supervisor, CG (Feature)

Tue, 28 Jul 2026 22:00:42 Z

Job details :
We're looking for an FX Supervisor, CG (Feature) on our new feature. Reporting to the Producer, the FX Supervisor is responsible for defining, guiding, and delivering all effects work on the project. They act as both a creative and technical leader, ensuring that the FX department’s work aligns with the Director’s vision while remaining achievable within production constraints. The ideal candidate is an experienced artist and proven leader. They possess a strong creative eye, with the ability to lead and support their team. Start Date: *Fall 2026 End Date: *2028 Job Location: Vancouver - Hybrid/Flexible *subject to change Pay Rate: Union minimum 2026 - $2497 per week based on a 40-hour work week. Learn more about our benefits here and IATSE Local 938 site. While we prioritize applications from people whose contracts are ending soon, we will also consider those on longer contracts that may overlap. If the team is interested in moving forward, our Artist Manager can speak with your current Producer about the potential transfer. Stages of your internal application: We’d love to hear from you! Use the Cover Letter section to include recent external reel, portfolio or website links (and passwords), or any other details that you think may be helpful for us to know. Share your work with us! Make sure your internal reel or portfolio is up to date when you apply so we can check out your latest and greatest work. You’ll hear from us! A member of the Talent team might reach out to discuss the upcoming role in more detail and/or to schedule a meet & greet with the team. Need a Flow refresher? Click here to learn how to create your internal demo reel. Please reach out to Rachel Scafe if you have any questions! Please submit your application by July 24 in order to guarantee you'll be considered. If you need any additional time, please reach out to us directly.

What You’ll Do: Work closely with the Head of Effects Animation, Director, and Art Director to define and achieve the project’s visual direction. Work closely with CG Supervisors and Show TDs to identify and solve technical issues that arise Work with other department supervisors to ensure consistent final pixel quality. Identify and communicate FX requirements, ensuring they are effectively implemented throughout production. Review and provide feedback on FX work through regular dailies and weekly reviews. Mentor and guide the FX team Collaborate with Pipeline to improve FX process and workflow Provide bid times for all FX tasks Ensure complete and seamless integration of all FX assets within the pipeline Create and maintain FX documentation and training Ensure that all production deadlines are met while meeting quality standards Participate in processes such as hiring, casting, evaluating and coaching What You’ll Bring: 2+ years of FX leadership experience in a similar role, working in feature production Advanced proficiency Houdini & Nuke Demonstrated experience creating a wide range of effects, from natural phenomena to highly stylized and fantastical elements Expert level understanding of modelling, texturing, shading, lighting, compositing and rendering workflows Experience prototyping FX pipeline tools and working closely with software developers to design and implement solutions Expert leadership experience in managing, mentoring, and elevating teams through systems and continuous development strategies Demonstrates expert problem-solving and communication skills, and adaptability to strategize and communicate changing priorities Nice To Have: Bachelor’s degree in Fine Arts, Computer Animation, or other relevant area of study and/or equivalent job experience Experience with Deadline or equivalent render manager is a plus Proficiency in Flow Production Tracking is a plus Python scripting is a plus Experience with Gaffer or other node-based lighting tools is a plus Experience developing FX look materials across meshes, particles, and volumes Experience with RV would be helpful. This is a Union position and the terms and conditions of employment are covered by a collective agreement.

2026-5747 - Animatic Editor, CG

Tue, 27 Oct 2026 17:49:05 Z

Job details :
We're looking for an Animatic Editor to join us on RWBY! Reporting to the Producer, in this position you will work help craft the story with the episodic director, to assess scene storyboards and previz material, making sure we’re getting everything the story requires. We are looking for an experienced episodic animatic editor with a strong instinct for action, dynamic pacing, visual storytelling, and building clear, high-impact sequences within a collaborative creative team. *Please note the schedule required for this project is 8am to 5pm PT* Start Date: January 2027* End Date: July 2027* Job Location: Vancouver/BC - Hybrid/Flexible* *subject to change Union minimum 2026 $1,530.77per week based on a 40-hour work week. Learn more about our benefits here and IATSE Local 938 site.  While we prioritize applications from people whose contracts are ending soon, we will also consider those on longer contracts that may overlap. If the team is interested in moving forward, our Artist Manager can speak with your current Producer about the potential transfer. Stages of your internal application: We’d love to hear from you! Use the Cover Letter section to include recent external reel, portfolio or website links (and passwords), or any other details that you think may be helpful for us to know. Share your work with us! Make sure your internal reel or portfolio is up to date when you apply so we can check out your latest and greatest work. You’ll hear from us! A member of the Talent team might reach out to discuss the upcoming role in more detail and/or to schedule a meet & greet with the team.  Need a Flow refresher? Click here to learn how to create your internal demo reel.  Please reach out to Rachel Scafe if you have any questions! Please submit your application by October 28, 2026 in order to guarantee you'll be considered. If you need any additional time, please reach out to us directly.

What You'll Do: Edit and assess the animatic through multiple stages, from initial assemble to final lock Trouble shoot scenes/sequences where pacing, story or action isn’t working, offer alternative cuts and/or suggestions for storyboard revisions Fill in the audio bed with temp sfx & music Communicate effectively with the director Update and maintain an organized layout for all incoming content and source material for editorial purposes Maintain the episode re-use sfx lists Manage editorial project/bins/media files efficiently What You'll Bring: 2-3 years of animatic editorial experience Strong understanding of post procedures, production and workflow Strong understanding of Avid Media Composer and Adobe Premier Pro editing software is a must Strong understanding of the needs of the Story, Pacing, Comedic Timing, Action Sequences and overall Scene Development Experience working in a remote collaborative environment with key stakeholders in multiple geographic locations and time zones Experience running remote review sessions using Evercast, Clearview Flex, etc. Understanding of CG geometry, camera positioning, and the ability to provide alternative solutions when scenes/sequences aren’t working so well Understanding of Storyboard Pro workflows with editorial Good communication skills and a collaborative attitude Ability to organize and manage time effectively to meet deadlines Creative and proactive problem solving skills Strong interpersonal skills and the desire to work as part of a team Strong organizational skills Nice to Have Degree or Diploma from a recognized film production school an asset This is a Union position and the terms and conditions of employment are covered by a collective agreement. 

2026-5748 - Assistant Editor, CG

Tue, 27 Oct 2026 17:48:57 Z

Job details :
We're looking for an  Assistant Editor to join us on RWBY! Reporting to the Producer, in this position you will have the opportunity to assemble storyboard panels and audio elements needed to tell the story of the show, all the while keeping things organized and tidy. We are looking for someone with a good sense of humor / timing who can support our Animatic editor(s) in their daily workloads. *Please note the schedule required for this project is 8am to 5pm PT* Start Date: January 2027* End Date: July 2027* Job Location: Vancouver - Hybrid/Flexible* *subject to change Pay Rate: Union minimum 2026 $985.32 per week based on a 40-hour work week. Learn more about our benefits here and IATSE Local 938 site. While we prioritize applications from people whose contracts are ending soon, we will also consider those on longer contracts that may overlap. If the team is interested in moving forward, our Artist Manager can speak with your current Producer about the potential transfer. Stages of your internal application: We’d love to hear from you! Use the Cover Letter section to include recent external reel, portfolio or website links (and passwords), or any other details that you think may be helpful for us to know. Share your work with us! Make sure your internal reel or portfolio is up to date when you apply so we can check out your latest and greatest work. You’ll hear from us! A member of the Talent team might reach out to discuss the upcoming role in more detail and/or to schedule a meet & greet with the team. Need a Flow refresher? Click here to learn how to create your internal demo reel. Please reach out to Rachel Scafe if you have any questions! Please submit your application by October 28, 2026 in order to guarantee you'll be considered. If you need any additional time, please reach out to us directly.

What You'll Do: Assemble the first pass of the episode using storyboard panels, circled audio takes, and the script for reference Cut revision panels into the timelines Assist the Animatic Editor with day-to-day production needs when necessary Create outputs of shows (animatics) for both clients and internal needs Maintain the series walla library Maintain the episode re-use shot lists Manage editorial project/bins/media files efficiently Actively participate in production-related meetings by offering thoughts and ideas Carry out duties in a professional and positive manner Be a positive and creative force on the team What You’ll Bring: 1-3 years minimum professional experience in an editorial role Strong understanding of Avid Media Composer editing software is a must Ability to take direction, collaborate, and be a team player Ability to communicate in a professional and positive manner Ability to multitask, prioritize and manage time efficiently Ability to work alone and collaboratively, often with multiple tasks and under deadline pressure Ability to adapt to multiple show styles Openness to direction and ability to embrace change Degree or Diploma from a recognized film production school Creative and proactive problem solving skills This is a Union position and the terms and conditions of employment are covered by a collective agreement.

2026-5725 - FX Artist, 2D (Harmony)

Thu, 08 Oct 2026 20:09:50 Z

Job details :
We're looking for a  FX Artist, 2D (Harmony) to join us on (INSERT SHOW NAME)!  Reporting to the FX Supervisor, this position uses Toon Boom Harmony to create and animate new effects which are production-friendly and efficient, using existing effects while maintaining a high artistic standard. We’re looking for strong drawing skills and the ability to work cooperatively with different departments.  Start Date: XXX* End Date: XXX* Job Location: Vancouver/BC - Hybrid/Flexible // Remote // In-Studio (DELETE) *subject to change  Pay Rate: Union minimum 2025 $1,229.00 Union minimum 2026 $1,272.02 Union minimum 2027 $1,316.54 per week based on a 40-hour work week. //DELETE// Union minimum 2025 $1,074.00 Union minimum 2026 $1,111.59 Union minimum 2027 $1,150.50 per week based on a 40-hour work week. Learn more about our benefits here and IATSE Local 938 site.  While we prioritize applications from people whose contracts are ending soon, we will also consider those on longer contracts that may overlap. If the team is interested in moving forward, our Artist Manager can speak with your current Producer about the potential transfer.  Stages of your internal application: We’d love to hear from you! Use the Cover Letter section to include recent external reel, portfolio or website links (and passwords), or any other details that you think may be helpful for us to know. Share your work with us! Make sure your internal reel or portfolio is up to date when you apply so we can check out your latest and greatest work. You’ll hear from us! A member of the Talent team might reach out to discuss the upcoming role in more detail and/or to schedule a meet & greet with the team.  Need a Flow refresher? Click here to learn how to create your internal demo reel.  Please reach out to your [Artist Manager] if you have any questions!     Please submit your application by XXXX in order to guarantee you'll be considered. 

What You’ll Do: Collaborating FX Supervisor and the Animation Team to design and create effects  Liaising and communicating with various departments for required assets and input  Performing artistic tasks and use creative problem solving to create desired effects  Organizing and managing your own work and files efficiently  Ensuring work is completed on schedule and to production standards  Reviewing workload and communicating any issues to Director and Producer  Assisting with other production tasks to help meet production deadlines  What You’ll Bring: You have experience in managing additional production tasks and responsibilities when requested, while maintaining your own workload  You demonstrate experience, comprehension and knowledge of classical animation, character animation, and effects animation  You demonstrate solid drawing skills  You have the ability to work alongside and communicate with a talented and diverse production team  Basic understanding of lighting and direction of light is a bonus HARMONY You have 2+ years of experience working in a production environment in Traditional Animation or Harmony You have experience hand drawing effects or animation  You have experience in Harmony FX (preferred)  This is a Union position and the terms and conditions of employment are covered by a collective agreement.