RSS export of job openings - Only featured job openings : No / Category : Animation, Editorial

2026-5747 - Animatic Editor, CG

Thu, 22 Oct 2026 00:16:29 Z

Job details :
We're looking for an Animatic Editor to join us on RWBY! Reporting to the Producer, in this position you will work help craft the story with the episodic director, to assess scene storyboards and previz material, making sure we’re getting everything the story requires. We are looking for an experienced episodic animatic editor with a strong instinct for action, dynamic pacing, visual storytelling, and building clear, high-impact sequences within a collaborative creative team. *Please note the schedule required for this project is 8am to 5pm PT* Start Date: January 2027* End Date: July 2027* Job Location: Vancouver/BC - Hybrid/Flexible* *subject to change Union minimum 2026 $1,530.77per week based on a 40-hour work week. Learn more about our benefits here and IATSE Local 938 site.  While we prioritize applications from people whose contracts are ending soon, we will also consider those on longer contracts that may overlap. If the team is interested in moving forward, our Artist Manager can speak with your current Producer about the potential transfer. Stages of your internal application: We’d love to hear from you! Use the Cover Letter section to include recent external reel, portfolio or website links (and passwords), or any other details that you think may be helpful for us to know. Share your work with us! Make sure your internal reel or portfolio is up to date when you apply so we can check out your latest and greatest work. You’ll hear from us! A member of the Talent team might reach out to discuss the upcoming role in more detail and/or to schedule a meet & greet with the team.  Need a Flow refresher? Click here to learn how to create your internal demo reel.  Please reach out to Rachel Scafe if you have any questions! Please submit your application by October 28, 2026 in order to guarantee you'll be considered. If you need any additional time, please reach out to us directly.

What You'll Do: Edit and assess the animatic through multiple stages, from initial assemble to final lock Trouble shoot scenes/sequences where pacing, story or action isn’t working, offer alternative cuts and/or suggestions for storyboard revisions Fill in the audio bed with temp sfx & music Communicate effectively with the director Update and maintain an organized layout for all incoming content and source material for editorial purposes Maintain the episode re-use sfx lists Manage editorial project/bins/media files efficiently What You'll Bring: 2-3 years of animatic editorial experience Strong understanding of post procedures, production and workflow Strong understanding of Avid Media Composer and Adobe Premier Pro editing software is a must Strong understanding of the needs of the Story, Pacing, Comedic Timing, Action Sequences and overall Scene Development Experience working in a remote collaborative environment with key stakeholders in multiple geographic locations and time zones Experience running remote review sessions using Evercast, Clearview Flex, etc. Understanding of CG geometry, camera positioning, and the ability to provide alternative solutions when scenes/sequences aren’t working so well Understanding of Storyboard Pro workflows with editorial Good communication skills and a collaborative attitude Ability to organize and manage time effectively to meet deadlines Creative and proactive problem solving skills Strong interpersonal skills and the desire to work as part of a team Strong organizational skills Nice to Have Degree or Diploma from a recognized film production school an asset This is a Union position and the terms and conditions of employment are covered by a collective agreement. 

2026-5748 - Assistant Editor, CG

Thu, 22 Oct 2026 00:15:57 Z

Job details :
We're looking for an  Assistant Editor to join us on RWBY! Reporting to the Producer, in this position you will have the opportunity to assemble storyboard panels and audio elements needed to tell the story of the show, all the while keeping things organized and tidy. We are looking for someone with a good sense of humor / timing who can support our Animatic editor(s) in their daily workloads. *Please note the schedule required for this project is 8am to 5pm PT* Start Date: January 2027* End Date: July 2027* Job Location: Vancouver - Hybrid/Flexible* *subject to change Pay Rate: Union minimum 2026 $985.32 per week based on a 40-hour work week. Learn more about our benefits here and IATSE Local 938 site. While we prioritize applications from people whose contracts are ending soon, we will also consider those on longer contracts that may overlap. If the team is interested in moving forward, our Artist Manager can speak with your current Producer about the potential transfer. Stages of your internal application: We’d love to hear from you! Use the Cover Letter section to include recent external reel, portfolio or website links (and passwords), or any other details that you think may be helpful for us to know. Share your work with us! Make sure your internal reel or portfolio is up to date when you apply so we can check out your latest and greatest work. You’ll hear from us! A member of the Talent team might reach out to discuss the upcoming role in more detail and/or to schedule a meet & greet with the team. Need a Flow refresher? Click here to learn how to create your internal demo reel. Please reach out to Rachel Scafe if you have any questions! Please submit your application by October 28, 2026 in order to guarantee you'll be considered. If you need any additional time, please reach out to us directly.

What You'll Do: Assemble the first pass of the episode using storyboard panels, circled audio takes, and the script for reference Cut revision panels into the timelines Assist the Animatic Editor with day-to-day production needs when necessary Create outputs of shows (animatics) for both clients and internal needs Maintain the series walla library Maintain the episode re-use shot lists Manage editorial project/bins/media files efficiently Actively participate in production-related meetings by offering thoughts and ideas Carry out duties in a professional and positive manner Be a positive and creative force on the team What You’ll Bring: 1-3 years minimum professional experience in an editorial role Strong understanding of Avid Media Composer editing software is a must Ability to take direction, collaborate, and be a team player Ability to communicate in a professional and positive manner Ability to multitask, prioritize and manage time efficiently Ability to work alone and collaboratively, often with multiple tasks and under deadline pressure Ability to adapt to multiple show styles Openness to direction and ability to embrace change Degree or Diploma from a recognized film production school Creative and proactive problem solving skills This is a Union position and the terms and conditions of employment are covered by a collective agreement.

2026-5745 - Lead Animator, CG (Feature)

Tue, 20 Oct 2026 16:49:25 Z

Job details :
We're looking for a  Lead Animator to join us on (INSERT SHOW NAME)! Reporting to the Producer this position will be directly responsible for the artistic output, operations and overall functioning of one of the animation teams. This will be achieved by evaluating, implementing and supervising process, workflow and technical infrastructure that maximize quality and ensure viability. Team synergy and effectiveness will ensure success; therefore, recruitment, team building and group dynamics will play a major part in this position.  Start Date: XXX* End Date: XXX* Job Location: Vancouver - Hybrid/Flexible // Remote // In-Studio (DELETE) *subject to change Pay Rate: Union minimum 2025 $1,810.00 Union minimum 2026 $1,873.35 Union minimum 2027 $1,938.92 per week based on a 40-hour work week. //DELETE// Union minimum 2025 $1,500.00 Union minimum 2026 $1,552.50 Union minimum 2027 $1,606.84 per week based on a 40-hour work week. Learn more about our benefits here and IATSE Local 938 site.  While we prioritize applications from people whose contracts are ending soon, we will also consider those on longer contracts that may overlap. If the team is interested in moving forward, our Artist Manager can speak with your current Producer about the potential transfer. Stages of your internal application: We’d love to hear from you! Use the Cover Letter section to include recent external reel, portfolio or website links (and passwords), or any other details that you think may be helpful for us to know. Share your work with us! Make sure your internal reel or portfolio is up to date when you apply so we can check out your latest and greatest work. You’ll hear from us! A member of the Talent team might reach out to discuss the upcoming role in more detail and/or to schedule a meet & greet with the team.  Need a Flow refresher? Click here to learn how to create your internal demo reel.  Please reach out to [Artist Manager] if you have any questions!   Please submit your application by [close date] in order to guarantee you'll be considered. If you need any additional time, please reach out to us directly.

What You’ll Do: Complete Rig Testing and liaise with the design, modelling, rigging, lighting, and FX department to ensure assets meet the needs for animation, communicate any challenges to the show following studio guidelines Create on model and in character poses as well as production animation cycles to populate Studio Library Complete Picker Testing to ensure all necessary controls are present and ready for animators Complete Character Development animation tests in order to develop character performance traits, animation style, and on model posing Guide animators by providing feedback and mentorship on their shots, ensuring the execution of character performances are appropriate for the moment, on model, and hitting the Directors’ vision Produce shot animation at a reduced quota on their assigned sequences Provide feedback to the Animation Director and Supervisor on shot casting and bidding for sequences assigned to their team Work with the Animation Director and Supervisor to provide clarity to the Director's Sequence Launch and help communicate it to their animation team Attend all Animation Director Dailies as well as Director Reviews for their team’s sequences, providing input or ideas where necessary Work with the Animation Director and Supervisor to ensure the sequence is ready for animation, flagging elements that they notice as missing or not ready Help identify workflow improvements Mentor animators on the team, providing career and development advice Partner with Production Management to ensure shots stay on schedule while also communicating potential delays and challenges Work with their team to plan sequence and shot work, guiding them on time management and prioritization of workload If necessary, work with the Animation Director and Supervisor and Recruiters to help evaluate demo reels and interview candidates What You’ll Bring: Minimum 3 years of experience as a senior animator on a feature production, previous Lead experience preferable Proficient in CG animation packages (Maya, etc.) Excellent organizational, communication and interpersonal skills A proven understanding of body mechanics and physicality for character animation Experience and ability to create different styles of animation Excellent acting skills with a thorough understanding of facial animation Excellent understanding of storyboard/animatic/layout/cinematography and ability to work within the constraints and performance of key-frame animation Skilled at providing feedback that inspires and motivates animators to always achieve better performance An understanding of rigs and typical rigging set-ups, animation pipelines and transferring data between tools, desirable Adaptability and the willingness to learn new processes and technical skills Ability to work in a collaborative environment and take directThis is a Union position and the terms and conditions of employment are covered by a collective agreement. 